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? 本期周五的输赢彩由1场英超+1场德甲+2场德乙+1场意甲+1场西甲+1?场法甲+5场法乙+1场葡超+1?场挪超的角逐组成
，本期竞猜难度照旧较大的
，让步较多的角逐场次有3场
，可是?部分场次的让步照旧不算太多
，机构给出的倾向性缺乏
，而让步缺乏的角逐场?次照旧较多?的
，大部分都是五五开的对决?
，机构给出的信心也是不敷
，而本期有较多的次级联赛
，稳固性欠佳
，整体?来?看
，本期的竞猜难度照旧较大的。

先&来看看本期重点场次：?曼城面临狼队给出一球球半的让步幅度居多的
，机构关于曼城的主场气焰照旧有信???心的
，本场可以建议?关注曼城取胜；都灵主时势对威尼斯给出平半的让步幅度
，关于都灵的主场气焰照旧信心缺乏
，本场建议重点多选设防；尼斯面临兰斯给出一球球半的让步幅度居多
，关于尼斯照旧有信心的
，本场可以看好尼斯取胜。

本期第2场海登海姆VS波鸿、第6场巴列卡诺VS?赫塔费、第8场亚眠VS波?城FC、第10场克莱蒙VS?阿纳西和第14场汉坎V?S奥?斯?陆KF?UM属于难点场次?
，任九只管舍弃。

（新浪彩?票独?家稿件榨取转载
，违规必究）

?

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• 　　之后
  ，杨某被安排和赵某、沙某、李某等人住一起
  ，还被带去上课。在听过一次课后
  ，杨某以为差池劲：授课的内容是推销皇家尊贵养颜套
  ，并将“销售职员”分为A、B、C、D、E级
  ，最初来的是E级
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  ，再之后是B级和A级。
• “小微”党建事情法作为一种下层党建事情要领
  ，它的乐成实验还需要各级强有力的执行推进。
• 据相识
  ，Autonomy使用基于18世纪英国数学家贝叶斯建设的贝叶斯概率理论来搜索和组织数据
  ，能“明确”没有结构化的信息
  ，例如散文作品
  ，通过上下文关系可以找出文章的主题
• 加密钱币生意所 Deribit展望
  ，若是特朗普获胜
  ，BTC 将在 11 月尾抵达 80
  ，000 美元
• 　　倪晶依
  ，中央广播电视总台央视湖北记者站记者
  ，2014年9月向党组织递交入党申请书
  ，多次加入抗洪、冰雪灾难、矿难等突发事务报道
  ，体现突出。2019年12月31日
  ，她和同事在央视新闻新媒体发出首条新闻。随后
  ，她报名加入报道突击队
  ，坚守疫情报道一线
  ，先后报道了武汉关闭离汉通道现场、火神山医院建设现场、空军首次成系统大规模出动现役大中型运输机执行紧迫空运使命等。2月6日
  ，她被党组织吸收入党。她说：“我采访的工具救护他人的精神
  ，深深熏染了我、激励着我！”

点评装置

• While Trump’s statements were offensive to women, they pale in comparison to the loud chorus of rappers’ filth and denigration of women that Michelle and Barack Obama have continually promoted, championed, wined and dined at the White House. And, while she has condemned Trump’s lewd remarks – including how “loving fathers are sickened by the thought of their daughters being exposed to this kind of vicious language” – the Obamas have hosted in the “The People’s House,” where their two daughters reside, rappers who obscenely rap about date rape and sexual predatory behavior.
• 泉源：北京商报　　散户对量化生意颇有微词
  ，甚至把量化生意太过神化
  ，以为量化生意无所不可
  ，稳赚不亏
• 人物先容　　今年95岁的老党员张富清是原西北野战军359旅718团2营6连战士
  ，在解放战争的枪林弹雨中九死一生
  ，先后荣立一等功三次、二等功一次
  ，被西北野战军记“特等功”
  ，两次获得“战斗英雄”声誉称呼。
• 商保自力包管系统将成为未来生物立异药的重大市场
• 毛泽东同志曾深刻指出
  ，蹊径就是“王道”
  ，“蹊径是个纲
  ，纲举目张”。

点评官方版

Do you need a Hawk?　　“凯萨娜”上午8时中心位于北纬15．2度
，东经122．7度
，中心周围最大风力8级
，风速抵达18米／秒
，7级大风规模半径100公里。预计未来一天内
，风暴中心将以20公里左右的时速向偏西偏向移动
，于26日夜间到27日上午进入南海中部海面
，强度继续增强。So it begins: the excitement, the anticipation, the blinding sparkle. The Olympics. Wait … hang on. The sparkle? Indeed. Because if Simone Biles — the American who is often called by sports pundits the best female gymnast ever, and whose performance in Rio de Janeiro will be among the most watched of these Olympics — does what most everyone seems to expect and makes off with multiple gold medals, it is very likely that when she climbs the podium, the shininess of the discs around her neck will pale in comparison to the shininess of something else. Her leotard. In 2008, when Nastia Liukin won the gold medal in the individual competition at the Olympics in Beijing, her leotard had 184 crystals on it. In 2012, when Gabby Douglas won the same event in London, her leotard had 1, 188. This year, many of the Team USA leotards will have close to 5, 000 Swarovski crystals each. “It’s difficult for me to imagine how we could get more crystals on,” said Kelly McKeown, executive vice president for design and corporate relations at GK Elite, the official outfitter of the American national gymnastics team. This Olympics, “we may have hit peak crystal. ” Along with the difficulty of each routine, which caused the international gymnastics federation to change the assessment system in 2006 from one based on a scale of 1 to 10 to one with no ceiling, the amount of crystals on the American leotards has also been growing exponentially. This is not a coincidence. It has to do partly with one woman: Martha Karolyi, coordinator for the United States women’s team since 2001, who, along with her husband, Bela, has been a formative influence on American gymnastics. But as with any grueling athletic contest that involves seemingly unimaginable physical feats accomplished by barely grown teenagers, it also has to do with competitive psychology, adolescent aesthetics, sacrifices made by elite athletes and technology. And it matters because women’s gymnastics is one of the most widely viewed Olympic sports. (When the women’s team won gold in London, the broadcast was the most watched of any Tuesday night network broadcast since 2002, which, not incidentally, was of the Salt Lake Olympics.) It is also one of the most commercially influential. There may not be a lot of young javelin throwers on neighborhood fields whispering about their favorite Olympians. But in local gyms all over the country and the world, girls who may never come anywhere close to an Olympic stadium can nevertheless dress like their bedazzled heroes. And they want to. Which is to say: in sparkles. More sparkles than Times Square on New Year’s Eve. How did we get here? Once upon a time, leotards were simple. Originally called maillots and popularized by the acrobat Jules Léotard (a pioneer of the flying trapeze) in the late 1800s, leotards as we know them literally took shape in the century, albeit in a much baggier, utilitarian kind of way. Donna Strauss, a coach at Parkettes in Allentown, Pa. who has been working with national gymnasts since 1968, remembers early leotards as simply black . In 1976, when Nadia Comaneci won a gold medal on the uneven bars with a perfect 10, she did so in a plain white leotard with three stripes down the side. “When I started in the 1970s, my leo was polyester with a zipper down the front,” said Michelle Dusserre Farrell, who at 15 became the youngest member of the 1984 United States gymnastics team. (Among gymnasts, leotards are generally “leos. ” ) “It wasn’t until the early 1980s, when they were made with Lycra, that the leos finally stopped bagging. ” And it wasn’t until 1984 and the explosion of Mary Lou Retton, who won a gold in the individual (as well as four more medals) in a “stars and stripes” leotard, that bold graphics became a thing. At the time, Ms. Farrell said: “It got pretty mixed reviews. It wasn’t subtle. ” When the Karolyis took over in 1988, things really began to change. “We went from being very patriotic to being much fancier,” said Ms. McKeown of GK Elite. “In the early 1990s, the U. S. team always wore white, because Martha wanted to show off their ” Ms. McKeown said (referring to abs, not beer). Not long after, the coach began to lean toward purple and pink and red. Then came the sparkles. The bedazzling of the leotard began around the turn of the millennium, with a few crystals around the neckline or sprinkled over the garment. The crystals made the gymnast — a small girl in a giant arena — stand out in the field of play, highlighting her movements. Combined with a fabric called Mystique, which overlays foil and hologram atop the spandex to create even more shine, the leotards gymnasts wore became ever glossier, especially as the crystals crept down the sleeves and over the body of the garment. “It’s always Swarovski: They have the most shine and sparkle,” Ms. McKeown said. “Martha always wants ‘more sparkle, more sparkle. ’” Though television brings all the athletes up close, they can get lost amid the actual competition on the floor, and shine helps highlight and distinguish each girl. “When the judges are there, every little thing counts,” said Samantha Peszek, a member of the 2008 Olympic team who is working for NBC’s digital and social content team for this summer’s games. The crystals also serve to emphasize the aesthetic aspect of a sport that has become ever more focused on athleticism and tricks — to its detriment, some argue. In a way, the fanciness and drama of the leotards can be seen as an attempt to correct a perceived imbalance between artistic power and physical power: telegraphing the idea that while “our skill level says one thing, our dress style says another. ” The Olympic stadium “is the biggest stage of our lives,” Ms. Liukin, the 2008 Olympic gymnast and current NBC Olympic commentator, said. Note the emphasis on “stage. ” It may seem reductive to compare Olympic gymnastics to, say, a Vegas arena, but the sartorial theory behind both is effectively the same: Use the bling to stand out. Though other national teams have also begun to bedazzle, none have reached the extent of the Americans, who have made it their signature. One of the odder things about interviewing an elite female gymnast is how quickly a conversation about the sacrifices and difficulties of her sport can suddenly become all about sparkle. It is a word that comes up again and again. “Obviously, sparkles are not an element in the scoring,” Ms. Peszek said. “But it’s part of the ‘look good, feel good, do good’ aspect. It’s a very important part of the sport. It may sound trivial, but what you wear really matters. For some girls, it’s why they got into the sport. ” As the athletes and their coaches point out, elite gymnasts who start training seriously at a very young age often don’t get to go to prom or other typical adolescent parties because they are always in the gym it has become a cliché of the sport to refer to the Olympic competition leotard as the gymnast’s “prom dress. ” Gymnasts cannot wear jewelry during competition save for a pair of stud earrings, so the crystals also act as a for other more traditional adornment. “We’re athletes, but we all love fashion, too,” Ms. Liukin said. Aly Raisman, the captain of the United States team in Rio and London, is famous among her peers for her interest in style, especially evening wear. Each Olympian now receives a package with eight competition leotards and 12 training leotards. Each is to her body, and on the open retail market, the heavily competition leotards would cost an average of $1, 200 (more than many prom dresses). Though Ms. Karolyi has the final word on the team competition, the gymnasts have input and are free to choose their own leotard for the individual events. During the 2012 London Games, for example, the team voted together to wear the red Mystique style with a stylized crystal pattern across the body during the team competition. “It was like a ball gown,” Ms. Liukin said. Though it may seem as if so many stones could inhibit performance, Ms. McKeown said that the additional weight is incidental. GK also makes “couture” leotards that have 15, 000 crystals each, she said: “You wouldn’t compete in those. ” The company has a fleet of machines that cost over $50, 000 each and use lasers and robotic technology to apply the stones to the fabric. Meanwhile, Swarovski has been working to change the makeup and cut of its crystals so that they will be ever lighter to accommodate demand. According to Alexander Wellhoefer, senior vice president for North America of Swarovski Professional, they have adapted machinery from the industry to develop new techniques for stone application in ever more complex and precise patterns. This autumn, Mr. Wellhoefer said, Swarovski will introduce a new crystal product, called a Concise Crystal, that is 50 percent lighter than previous stones, allowing for even more encrustation and refractory gleam. “We’re in a crystal arms race,” Mr. Wellhoefer said. The question now is whether we have reached the crystal saturation point when it comes to competition, or whether there is even further to go. “I ask myself that every tournament,” Ms. McKeown said. “We were doing a fitting with the girls the other day, and we all said, ‘Can you imagine what the leos are going to look like in four years if we keep going in this direction? ’” It may seem, given Ms. Karolyi’s coming retirement, that we are at a natural turning point in the sparkle situation. But if Ms. Biles and her teammates, all known crystalphiles, perform as expected while in full sparkle mode, chances are good that the millions of young fans who are watching will internalize the connection without ever entirely realizing why. After all, when asked if there was ever a gymnast who tended, say, more to the minimalist Helmut Lang school of leotards than to the fairy princess Marchesa look, Jordyn Wieber, a member of the gold medal 2012 team who is now a student at U. C. L. A. and manager of the gymnastics team (which is known for the “creative backs” of their leotards) hemmed and hawed and thought for a while. “Well, I guess some girls like more sparkle than others,” she offered, her voice trailing off. But, she added more decisively, “I have never met a gymnast who doesn’t love rhinestones. ”