925体育在线直播篮球官网

中?新网?呼和浩特5月9日电 (记者 李爱平)5月8日20：00，2025?亚足联中国女子五人制足球亚洲杯A组第?二轮角逐在内蒙古自治区呼和浩特?体育中心进行。最终，东道主中国队以5：3的比分战胜中国台北队，迎来小组赛第二场胜利，提前晋级8强。

比?赛最先后，中国队很快占有场上自动，第5分钟，7号球员张蕊在一次进攻中闪电破门，中国队1：0领先?，取得梦幻开局。

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?图为中国队(红)与中国台北队(蓝)在角逐中。? 女子五人制足球亚洲杯组委会供图

随后，中国队使用富足?的阵容轮换，一连威胁着中国台北队的?球门。在一连的攻势之下，第13分钟，中国队9号球员曹嘉仪捉住一次门前?补射良机，将球踢入?对方网中。上半场角逐竣事，中国队2：0领先中国台北?队。

易边再战，中国台北队增强守门员加入进攻的幅度?，1号朱芳仪依赖外围?远射扳回一球。以后，中国队?并未因丢球自乱阵脚，在一次边线球时机中，中国队一名球员将球扫向禁区，中国台北队后卫忙中蜕化自摆乌龙，中国队再度将领先?优势?扩大到两球，以3：1领先。

?以后不久，中国队?门将刘丹萍直接在后场完成远射，进?一步扩大领先优势，比分来到4：1。以后，两队互有进球，但中国队将领先优势坚持到了最后。

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最终，中国队以5：3战胜中国台北队，迎来小组赛两连胜，提前晋级?8强。(完)

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• Adele and Beyoncé, should you happen to read this, consider including the following name in your acceptance speeches on Grammy night: John Billings. He’s not an engineer, producer or video director. But he has had a hand in every Grammy — literally — for the past four decades. Known as “the Grammy man,” Mr. Billings, 70, is a master mold maker who has been designing, crafting and delivering the awards to the academy for more than half of his life. “I’ve been around them forever,” he said in a telephone interview. “Every year they become more and more special to me. I’ve always been a music fan, and the Grammys have always turned me on to so much I wouldn’t hear if I just sat and listened to a radio station. ” For this year’s ceremony, airing on Sunday night on CBS, 350 trophies were made. And yes, they were all created equal. “When we’re making Grammys, we don’t know whose Grammy that’s going to be, so we don’t have one favorite,” Mr. Billings said, adding: “They’re all just like children. I really never try to question why someone is getting an award I do sometimes question why someone is not. ” Before artists can hoist the award onstage in front of their peers, a lot of work must be done, which starts when the nomination list comes in. Mr. Billings and his team review it and estimate the number of Grammys that need to be cast to cover the nominees receiving the awards. In his Ridgway, Colo. studio, the whirring of a polishing wheel and tapping of a hammer provide the soundtrack for his team of three, who tinker five days a week, . “We really don’t have an average day,” Mr. Billings said of the process needed to complete each trophy. “The guys who work with me really know what they’re doing. We don’t look at the clock, we don’t rush these things. ” The awards are made of a custom metal alloy called grammium (yes, really) and are cast from three molds: one for the base, one for the gramophone cabinet and one for the tone arm, which holds the bell. After the pieces are cast, they go through a series of filing, sanding and polishing processes, and the gramophone cabinet and tone arm are plated in gold. Once dry, the three pieces are assembled, and each award is with a unique serial number for authenticity. The Grammys used during the television broadcast are for show Mr. Billings and his team engrave the names of winners onto plates after the event. Mr. Billings’s relationship with the award began when he was 12, upon seeing his friend’s father, Bob Graves, make the first one in his garage. In 1976 Mr. Billings became Mr. Graves’s apprentice he took over production in 1983 after his mentor’s death. “It means a great deal to us — John is part of the family,” said Bill Freimuth, the vice president for awards at the Recording Academy. “It’s that personal service it’s not dealing with some sort of an anonymous corporation. It’s dealing with a person who is who deals with making these beautiful works of art many times over. ” Over time the trophy, like the Grammy Awards show itself, has evolved. Since the first ceremony, in 1959, five different designs have been created the last major came in the early 1990s, when Mr. Billings said he spent a year sketching and a few months fashioning three prototypes from scrap metal in his studio. The goal was simple: to keep the gramophone and its Art Deco influences but rework the tone arm, which was prone to breaking because of its thinness. Nearly 30 years later, Mr. Billings said he remains content with his design. “I think it’s going to stay exactly where it is,” he said of the current Grammy. “I don’t see a reason to change it. It’s become very iconic. People recognize it and understand what it symbolizes. ” Once Mr. Billings and his team have made the finishing touches on each set of Grammys, it’s time to send them to Los Angeles — but not via FedEx or U. P. S. “I’ve always just them,” he said. “I just think it would be a nightmare to try and ship these. In the old days, there weren’t so many Grammys, so I would put them in my truck and make several trips. ” These days, Mr. Billings attaches a cargo trailer to his truck for the journey. When the last Grammy is packed away and the trailer is locked, the team takes a moment to pause. “We open a bottle of champagne and write a date on the bottle and how many Grammys were made for that year,” he said. “That caps it off — the Grammys are done, now they’re on their way. Then we start making them all over again. ”
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